Who Will Protect Us from the Winners?
By Archived Story
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Deborah Keenan’s reading at the Weisman Art Museum, an occasion for the release of her newest work, Willow Room, Green Door delivers a large audience. The poetry reading, packed with prospective grad students, the faculty, the public and myself, was in fact a concert. Deborah cites Stephin Merritt often, using his influences in her poetry. Her relationship to music ties with her diction as she reads. Keenan twists the line in both a delicate and precise, if not surgical fashion. Such abilities, coupled with her distinct rhythms propel her poems, giving them a song-like resonance. The composition of the reading starts first with selections from earlier poems. This delightful necessity to the reading helps newer readers grasp the history of her language. Keenan puts into context some of her poetic life history by introducing poems …



