The Wake - Fortnightly Magazine

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Literary

The Tiger

He’s not as he appears.
He’s all stripes and seduction,
charm and confidence,
oh and he will drag you in
if you let him.
He will slink about
and bide his time,
playing to your vulnerabilities
with that lulling and luring voice.

And you’ll be no match for
his hypnotic watch swinging
back and forth,
back and forth,
back and forth.

You poorpoorpoor thing.
It’s too late for you now.
How could you have known
that those sweetly smiling lips
hid sharp shining teeth
only waiting to consume you
with calculated relish?
And those claws just revealed?
You never stood a chance.

He will clean your bones,
and with a self-satisfied sigh,
desert this game of cat and mouse
until he’s hungry again;

not just for the capture,
but for the chase.

Strays

Approaching echoes of
listless voices tiptoe across the rooftops
from a drowned city.
Shifted sands expand a body of strays
and shoves her beyond borders

Ocean has swallowed her breath – weakened
her pulse, exhausted and shaken she
continues to reach where her limbs have spilled over
At the corners of an island, she curls her fingers
over crag and digs in with her nails.

To claim and strain to stay

Echoes wash over her body
as she stands, the wake breaking upon her chest
Deepest songs her chords can muster will
Lead her worn and waded body back under rooftops
of a drowned city.

The Knoll at Night

Pink skirts shouldn’t walk
by themselves past nine.

Street lamps stretch
a gray mirror more
breakable than the sun’s.

Darkness released. Miasmic
in the air, I suck it up my nostrils.
It pools
above my lower eyelids

unblinkable. Men swirl like steam
out of my peripheral.
The mass of them suddenly
a solid contradiction
of my softness.

The shake of rabbit
eyes quake down my curved back
until I escape across
the last three cracks.

Lights flood him
from behind, he waits
for me in the door.
Gallant arm bridging it open.

Fluorescent medicine
untangles my unease,
but I never forget that he’s bigger.

Cool Air

Mid-autumn is here and the leaves have turned to yellow
Moonlight casts our shadows and the cool air is still
I’m breathing in

We rush into our places and perform our childhood games
The grass is wet with dew and our shoes slick on the mud
I’m running

The rising pines of the North Country
The chill of coming winter
The sounds of laughter
The crunch of leaves
Am I back home?

Night games they are called
I’ve forgotten everything else
I can only think of my breathing and my soaked shoes
The rush of blood to warm the cold skin
Somehow the pain erases away
I’ve been given a moment for myself

Jon runs fast and misses my tag
I’m hiding under a bush
I wish I could communicate clearly
And not poetically
But this is how I speak

Confessions of a Drunken Debtor

I arrive in the Twin Cities at 12:30 p.m. on the first of September – already poised to worry. My mind is frantically pacing in an attempt to assess the staggering amount of money I have spent preparing to leave for school, and juxtaposing it against the dark expenses looming before me. This is going to be an expensive year. There is no doubt that by the end of spring semester, my debt will more than double. But over-thinking these financial shortcomings leaves one irritable and exhaustingly pessimistic. Not a sunny outlook to have on the last weekend of summer. So I instead focus on how I will spend my time until Tuesday the sixth. If I am able to push money out of my mind until then, I’ll be fine.

Once classes start financial issues seem surreal-foreign, they are numbers on paper, far off in the distance. Nothing legitimate, a monetary civil war across the world, inconceivable in the most practical sense of the word. I glance at my roommate Paps, sucking down Marlboro Ultralight 100’s next to me, slender strands of smoke curling out his nostrils like gray hairs from the bottom of an elderly man’s woolen cap. His thoughts and worries are most likely exactly in sync with mine. My fingers tap the plywood railing of our porch-restless. At 3:39 p.m. we begin to think about drinking.

Thirty-four minutes later I am walking through the double doors of the Dinkytown liquor store, fingers crossed, fake I.D. safely stowed in a casually accessible pocket-pressing against my ass as I imitate confidence. I practice the Adrian face, the facial expression that makes me look most like my 23-year-old brother. This is the same face that has sealed my Friday nights since I was fifteen, memories lost but remembered like some amazing childhood dream that sticks in the catacombs of your mind through the years. To pull off this impression my lips must be tucked in at the most precise angle; dimples hidden, cheeks sunken as a calm, humble look sweeps across my face. And then, as if it had been apparent from birth, I am Adrian. Character acting – Marlon Brando would’ve been impressed.

Inside of this alcohol emporium, this bonanza of booze, you meet the worst and best kinds of people. Suburban mothers shuffle silently through the crowded aisles buying cardboard boxes of Franzia – the winos of the twenty first century. Their great internal conflict of the day is choosing white Zinfandel over Merlot, five gallons over one; after all, it’s Thursday, why not? Meanwhile their husbands are looming around the vodka and Captain Morgan, aging great whites ripped out of the water. They are winking at 19-year-olds as they pretend to love life, wallets fat with money I desperately need.

Sickened by this open display of quasi-prostitution, I choose quickly and shuffle into line to stand uncomfortably and try to look smug. I listen to the useless chatter of my schoolmates, many of them in the same terrible position I am in. Riding out into the sunset on false identification and immense debt; a terrible inflated sense of maturity like when a 15-year-old retracts rheumatism. The line moves and suddenly it is my turn to pay, picking a register I go to the young girl, avoiding the man. One must always avoid the man. Smiling, sheepishly, I make small talk, but avoid using my lips. My gigantic lips. They are not Adrian’s. They are a dead giveaway. I take a bag, a bag for the bottle. My poker face is not what one would call “stony,” and my hands are shaking with excitement as I grasp the receipt and stuff the change in my pocket hastily. I avoid the soft cardboard of the fifteen-Parliament Lights tucked away safely between my walls of denim. Flagrant cheating never felt so good.

I crack my first beer open while getting ready to make dinner. A process involving cooking stale Macaroni left over from my dorm room of the previous year, as well as finishing three beers against the backdrop of our stove. Milwaukee’s Best Special Reserve – terrible beer that lingers in your mouth distractedly until about the fifth can. Since it’s sold in thirty-packs at a going rate of twelve dollars, you soon get over the less than immaculate aftertaste. Matt Paplham (Paps), the only roommate who has moved in besides me, is on his fourth by the time I finish two. Sitting down next to me on the large couch, which doubles as a dining room, he lights up a cigarette. We are basking in the smooth period of grace in which we’re the only inhabitants of the house – probably the only time where we will be able to smoke cigarettes inside. My eyes dart towards the bottle of one hundred proof Rootbeer Schnapps standing placidly on an overturned storage bin in front of us. I laugh, lifting the bottle up to tear off the plastic from the cap. Paps goes to get two glasses. 5:47 p.m. I am reborn.

Rootbeer Barrels: Molasses brown liqueur turned a lighter hue by the ale poured over the top. At this point one needs to establish credentials. It’s not that my black-lunged roommate and I are lushes by any means. Although we both enjoy the occasional drink, we are in no way a duo of excess. No, it is the environment that we are thrown into, the circumstances that we are held within that push us into doing these sorts of things, into having these sorts of nights. After working up to fifty hours a week for three months straight, both Paps and I are exhausted. Like so many college students, we are fed up with the drone work we have become sorrily accustomed to. There is little to no difference between the jobs one suffers through in high school and the jobs one suffers through while attending “higher” education. These kinds of indentured work hours alone are enough to make a man turn to firewater. Yet for us, the straw that broke the wino’s back was the relative twenty six hundred dollars we had spent on school, supplies, and housing in the prior week. This kind of debt, mixed with a feeling of helplessness caused by not knowing if this money is being wasted, is what drove me to purchase the bottle of Schnapps in addition to the beer. Although the beer may offset the debt, it’s the liquor that will truly help us to numb the pain.

10:16 p.m., I am out of cigarettes, and have made this fact abundantly clear to the ten people shuffling down the sidewalk with me. Paps is finished. He has become dead weight hanging off a double bed. No sheets put on. No clothes taken off. He will wake up at 4:26 a.m. confused and hungry. Perhaps he is the lucky one, for I am in no better shape, and still unleashed upon this city that doesn’t sleep, only passes out. The beer is gone, this was expected, but the blinding curve ball, the true culprit here, is the empty Schnapps bottle that shrugs smugly on the porch. It’s all laid out now. The booze is in control.

We partied, but I don’t remember. Don’t remember the people I saw, or the funny things I said. I imagine I was a slurred Hemmingway –devastating wit drowned out in red plastic Dixie cups. Others’ recollections have pieced it together for me. But some things can’t be completely obliviated from my mind. I remember seeing the Golden Arches upon return, the greasy gates of heaven spinning in front of me. I remember sliding towards them, how I told someone-anyone to ride on my back and we could run together horse and rider, steed and carriage. But it was heavy, and my steps became fumbled, like those of a Tyrannosaurus after the fifth tranquilizer dart pumped with percosets. It becomes clear that we’re going to fall, and suddenly I am the last Redwood standing in some lumber graveyard in California.

Clarity. Absolute clarity. Everything is still all around me just for an instant. Only terrible events are this clear, this tranquil. Far off I hear the noise of a cash register closing, the image of twenty six hundred dollars looming in my mind. And then I am down, and everyone is speaking at once. Grabbing my arms. Lifting me out of this black – this rabbit hole I have tumbled down into.

“I don’t care,” I say. Debtors never care. As far as I knew, I had already fallen.

I ate my cheeseburger with a broken left wrist. Laughed as the pain pulsated, throbbing. No one believed me when I would say that my arm hurt, that it was perhaps broken. Drunks don’t care. But the next morning I cared. When I woke curled on the floor hugging my arm in a fetal position, attempting to return to that which I spawned from.

I filled out all the paperwork for my student job that morning. Filled it out with a broken wrist and finger. And when the Boynton people asked me how it had happened I said I had been jogging, tripped on a crack in the sidewalk, likely story. I still stunk like booze. But this is the game we play. This is the game we all play. Nobody says how many drinks they really had; no one says how much money they spent. We had enough. We spent some. But now I know how gamblers feel, when the bookie breaks their fingers for being late on a payment, late on a debt. My rent is due in four days. My tuition bill has a late fee attached to it. Delinquency. Alcoholism. Debt. These things go hand in hand. My fingers are waiting. I can drink gin martinis through a twisty straw.

Free Live Lit

University of Minnesota MFA Reading
Nov. 9, 7:30 p.m.
The Loft Literary Center
1011 Washington Ave. S., Minneapolis

The University’s Masters of Fine Arts students will share their work with the literary world. The reading will offer fresh work by fresh authors. It’s also a great way to hear the creative efforts of instructors.

Bill Holm
Nov. 11, 7:30 p.m.
Magers and Quinn Booksellers
3038 Hennepin Ave. S., Minneapolis
(612) 822-4611

Minnesota poet Bill Holm traveled and taught in China, which inspired his book “Coming Home Crazy: An Alphabet of Chinese Essays.” The book won the Minnesota Book Award in 1991. Holm has also written “The Heart Can Be Filled Anywhere On Earth: Minneota, Minnesota” and focuses on his hometown of Minneota, MN making him a voice for the Midwest.

Jay Mickowiec
Nov.15, 2:00 p.m.
University of Minnesota Bookstore
300 Washington Ave. S.E., Minneapolis

Jay Mickowiec, an alumni of the University, translated the award-winning Argentinean novel “Die Lady, Die” into English. The novel revolves around madness and Latin pop culture. Mickowiec will discuss his translation, which should prove to be interesting considering today’s global readership.

Marjorie Perloff
Nov. 15, 3:30 p.m.
University of Minnesota, Lind Hall
207 Church St. S.E., Minneapolis

One of the foremost American literary critics, Marjorie Perloff, will discuss and read from her recent works. Perloff is primarily concerned with experimental contemporary poetry, modernist and postmodern art, and cultural theory. Her most influential book was “Radical Artifice: Writing Poetry in the Age of Media,” which discusses, among other topics, the physical nature of today’s poetry.

A Summer’s Reduction

I am Silent.

In my head I hear
preaching I wish I could
Hear.

In my head I fear
cautions that I wish I could
Fear.

In my heart I feel
love, but I know it’s not

near.

So I feed the silence
until nothing seems
c l
e a r.

Der Aukionator

Gravity tends to act
Immediately
Except when relationships are involved.

Atomic shivers probed my fingers and arms
As my fingers probed
The helmet’s hole.

This belonged to the German my grandfather killed.

I turned it over again in my
Young hands. I
Picked up swastikas, a toy tank, a bank,
A ring, such things as this.
This box wasn’t going to auction.

Neither were the guns.

But the rest of his life…
I had been to auctions. I know the sounds
They make and the smell of blue collars and pine.
Eighty years
And now he just sits confused in a chair
(We kept that from the auction too,
Along with a dresser and most of his tools.)

As I said before, I hadn’t known all this at the time.
All I knew then,
Running between homes,
Was a deep molecular fear
Of the day I turned to a page of my life
In a box
At the auction of my life
That I cannot remember and had barely begun to read.

Tourist

The story takes place in Swindon
and my thumbs hold the pages back.
Sun’s glaring and the familiar rhythm of
the tracks are punctuated by loud, dark
train stations. Sheep-speckled hills blur
by in the windows.

What would happen if I spoke to the girl
sitting across the aisle from me?
Would she laugh when I say elevator
instead of lift? Or line
instead of queue? Would
we make love
in some British way and
get married in a 421 year-old church?
Would we laugh at the Americans together?

Swindon is the next stop. Fiction and
non-fiction colliding.
I should leave the train. Explore
the town for myself. I should step through
the wardrobe into reality.

I don’t. In the story, a boy boards
a train for London and hides
in the luggage rack. I stand
and look to see if he’s there.

War

That ware day in October
when oil seeped into our soil
streams shriveled not flow
mouths dry, scrambling for dews drops
yams turned blue not brown

You spat me out
Left me without hot sand, and gravel
Bare breast, bare feet and hands, made it cold

when you bullied your way through my heart
made it cold, again.
staged a tribal domination, and caused elders
to rid themselves of dignity, and flee from huts,
their home

stained perfect sand with innocent blood
writing in my memories – I don’t belong.
Now, you’ve left me helpless in a strange land
singing – I don’t belong, again
I am a woman neither here nor there
A woman without country.