The Wake - Fortnightly Magazine

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Literary

One of Us

Through skin translucent her heart
beat like a small strobe light.
Downstairs her mother kissed her
slippery cheek, a red brand of initiation.

She wondered why someone with scales and webbed toes
lived in open prairie, the grass rubbing like
chalk and nails against bare legs, with trains
casting lines into the depths of the wide continent,
and long whistles into the night — She spent the day
drinking the rain, something sliding into her
rounded and present, a question mark.

At the greyhound station her skin
stretched and rang — the late dampness,
the slight steam as she entered the bus
into the heat of eyes and breath
everyone lurching outward,
outward altogether hooked
on the dark magnet of freeway.

These were ocean people; sleeping
ocean people, in the black engine hum of night.

A Bowl

My eyes are a bit glassy today
Whether from the wind whipping tears
Or
This physical sickness, born from that misbehaving cigarette.
Flickers on the security monitor
Make me think of barrels + counters
And their coming of age love story.
A purely mental headache develops.

It’s this state of buildings
Changing the weather.
Twisters can’t even touch the ground
And the sky must hush itself.
To not feel the elements
Of that “Evil” they speak of seems unnatural.
Every “people” has been brought
Down on its knees in centuries.

It’s not a matter of justice.
It’s not a matter of pure fact.
It’s not a matter of lacking compassion.
It’s Sanity vs. Insanity.
Cause we always pray to our God, Gods, Goddesses, or ourselves
Before battle with ourselves and his or her God,
Which undoubtedly kills everything we knew before.
Logic would tell us
That someday we’ll see this island
As a bowl and the ocean smiling, glad to fill it.

So you can’t blame me for this throbbing
On the right side of my brain.
Because Time never stops making history.
You could try to stop her…
but I hear she’s a wicked fighter.

No. I’d rather put these headphones on
And imagine that it’s the volume
Giving me this massive headache.

This Accomplished Brain

I
She sits across from me all night engaged
the sounds of her voice, and the crinkles my eyes make toward her breast.

The best state of affairs would have our smiles be white
glazed china masks, thin, the lips painted red.

Beneath our masks would be draperies of flesh, plastic moments of
writhing heat and black tufts of hair. Beneath
our masks would be a locus for this steaming rhythm
of words, bandied through our porcelain mouths.

At the end of the night when she unclasps her bra, I think
she’s lying, but for an inexpressible moment, breathing
into each other’s ears, with our hands immersed in shoulders I
glance to the side and See two cold masks
forlorn on the floor.

II
The bed frame has ceased creaking.
The fluttering aches of her sex
run down my thigh.
I kiss her cheek to rise
back into my self, in the shower where
I am alone, and the hot water pours over me, deafening.

I return to her side and let my wet hair dry in the sweat stained pillows’ caress.
And the car alarm tendrils and quick feet slapping the paths sound through the windows.
She arcs her back to the pressure of my hand, groaning, leaning
her stomach and curly black feathers against my fingers.
I kiss her neck dreaming.

Dreaming that behind this blood flushed fabric of orange and alabaster
Dreaming that if I ply these curtains apart I’ll find distinct spirits gold, invisible, perfect
in every way.

Then dawn. Light takes over this world, steam unfurls from the gutters
by concrete where on frost laden grass blades the withered
leaves of an oak tree breathe like embers and smolder.

And under this nascent sun that singes the shedding of life,
I find my shoulder screwed into the nape of her neck, her slack jaw, sleepy exhales.
Whatever symphonic achievements our early hot skin can pull off,
they have the exploded status that last night’s dreams deflate to
in the disruption of my zinc blue serv-o-tron alarm, 6:30.

Literary Events

Who: Ben Marcus; Heidi Julavits
What: The authors/editors discuss recent works.
When: Wednsday, Nov. 1st, 7:30 pm.
Where: Sundin Music Hall. 1531 Hewitt Ave (Hamline University), FREE

Who: Evelyn Klein
What: The author reads from her poetry.
When: Thursday, Nov. 2nd, 7 pm.
Where: The Loft Literary Center, FREE

Who: Bharati Mukherjee
What: The author discusses American identity from a transnational American writer’s perspective.
When: Friday, Nov. 3rd, 7:30 pm.
Where: McNamara Alumni Center (University of Minnesota), FREE

Who: Laurel Poetry Collective
What: Poets read their work.
When: Saturday, Nov. 4th, 2pm.
Where: St. Paul Central Library, FREE

Who: Anders Nilsen
What: The comic book artist/writer discusses his work.
When: Monday, Nov. 6th, 6:30 pm.
Where: MCAD Auditorium, 2501 Stevens Ave S, Mpls. FREE

Who: Hanes Walton
What: Lecture on the crossover voting in African American senate elections.
When: Monday, Nov. 6th, 4 pm.
Where: Notle Hall (University of Minnesota), FREE

Who: Patricia Hampl
What: The author discusses her writing.
When: Tuesday, Nov. 7th, 2 pm.
Where: University of Minnesota Bookstore (Coffman), FREE

An Impression

Turned on

By the charge of each and every electric packet,
winging their way from me to you and back again with
blizzards and monsters and imagination and sailing and Freud.

By the sight of your shy smile leaning over my Coffee countertop
and the pair of trembling hands that made your tea and the pair of eyes
that sparkled and waited, that watched the clock, until closing time came.

By the long walk that zig-zagged in circles around that square mall for hours and collapsed -
nestling gently head to head and flowing, dripping conversation back and forth and drifting lazily
until we took the long way back to a pair of cars in an empty mall parking garage and a 3 a.m. waltz.

By the incredible sensation of warm hands and strong arms and soft lips wrapped one around the other, and
we are beautiful statues, melting together in this cold air; and the flames above our heads continue to slowly burn
as we are filled with the wholly unexpected blessing of these two lives, fixed together by the breaking dawn.

A Conversation About Laying Low in Tropical Hideouts

“aside from his defective vision, he also had constipation”
-musings on Love in the Time of Cholera

What he ends up doing, what he’s
trying to communicate; language, we
are so
numb to everything except for
last night
trains un
thawed and pushed into metal ground un
til a girl woke up heart in throat, bombs exploding;
we don’t really notice it: dreams a convention.

Grow and damage; she got over it, soon a milky sky sweating translucent and
unconsciously a rain, white, drives those rules we
made in class:
subject verb agreement.

Off the top of her head she thinks ‘comma, possessive’; a
man’s skin avoids the typical conventions
of stereotypes. The prose will
comment on itself. The kinds of
things we say, honestly, means
writers have failed.
He once said everything we do
for granted, we
may not be moved, illogical but
we ignore that because
that
same day a black man spit on the
sidewalk outside, he is able
to
make language
refresh itself: the same old
kind of
disaster tale but
harder to follow;
breaking my heart to find
what
the premise was.

Literary Events

Who: Brandon Sigrist
What: Reading from his award-winning story published in L. Ron Hubbard’s “Writers of the Future Volume XXII”
When: Wednesday, Oct. 25th, 2:00 p.m.
Where: U of M Bookstore at Coffman Memorial Union, FREE

Who: John Moe
What: The Author discusses ‘Conservatize Me.’
When: Wednesday, Oct. 25th, 7:00 p.m.
Where: Magers & Quinn Booksellers, FREE

Who: Marjane Satrapi
What: The Iranian cartoonist discusses her comic book memoir, ‘Chicken with Plums.’
When: Thursday, Oct. 27th, 7:00 p.m.
Where: Lyndale Congregational Church of Christ, $5

Who: Kevin Jennings
What: The author discusses ‘Mama’s Boy, Preacher’s Son.’
When: Thursday, Oct. 26th, 7:00 p.m.
Where: The Loft Literary Center, FREE

Who: John Sweeney
What: The author discusses ‘Innovation at the Speed of Laughter.’
When: Friday, Oct. 27th, 12:30 p.m.
Where: Borders (600 Hennepin Ave), FREE

Who: Victorian Ghost Stories
What: Costumed characters give dramatic readings. With tours; hot cider. Call for times and reservations. 612.297.2555
When: Oct. 22-30
Where: James J. Hill House, $8

Who: Erik Dregni
What: Local author discusses ‘Weird Minnesota.’
When: Friday, Oct. 27th, 7:00 p.m.
Where: Barnes & Noble in Maple Grove, FREE

Who: Deborah Keenan; Eileen O’Toole
What: Poetry
When: Sunday, Oct. 29th, 3:00 p.m.
Where: Micawber’s Bookstore, FREE

Who: Pamela Mordecai
What: The author discusses her writing.
When: Monday, Oct. 30th, 4:30 p.m.
Where: University of Minnesota Lind Hall, FREE

Duluth in the Rearview

I got a flat just as I was leaving Duluth.

It’s five thirty, and threatening rain. 150 miles to Minneapolis, and the spare says “max 80km”. The jock at the gas station tells me I can probably get a spare at Sam’s, and where to find it, but it’s closed by the time we get there. Two Koreans at the automax next door help us patch the tire. They’re anxious but helpful. Annoyed at closing time by an embarrassed scruffmaster, in loafers and mismatched socks, eager with his parent’s visa. One asks me if I’m punk rock. No, I’m a mountain climber, but I have a Henry Rollins tape in the car.

I’m tired from a night of climbing, starting at the base of the city by the water. Downtown Duluth of late night pick-up trucks and drunken Chads. Fire escapes and spiders to a nice view and a bottle of wine. Then up and up, hotels, and ski slopes in august. The chair lifts terrify me, and I can’t help but laugh. We came to Duluth to see some friends who are due with their first child. They’re young, nervous, and beautiful.

The mother is sweetly impulsive and demanding. It seems that she is constantly brushing her hair out of her face, but she’s smiling. Tim’s going to be the father, he’s anxious, but beaming. He recently started an apprenticeship as a carpenter.

The tire is patched and filled for only ten dollars. Once again I’m leaving Duluth. I’m reviewing the past two days carefully, what I’ve accomplished, what I discovered, details that I’ll surely forget with time.

I remember how he told me three close friends had been committed to institutions in the past year. I think of the ones I know. One’s a surprise, the other a question mark. They wanted her for the army or whatever. He talked about his buddy Jay who got committed. Jay was fine when he went in, but he had to put up with a few too many seconds of pressure in there. By the time he got out, they had convinced him that he was crazy, and cured, but he insisted he had faked the last part. I wonder about real and fake. I wonder about God’s plan. It scares me in the same way as those chairlifts in the dark, crashing over dried grass and sharp rocks. I can’t help but laugh.

Before the long trek to the summit we decided to have a long joke over a few drinks. It was an American hotel on the main-strip.

Three stars masquerading as five, wait-staff in military issue tuxedos, doling out low grade dog chow garnished and prepped to the point that it almost resembles high grade dog chow. We plan the attack outside, roaring and whispering each of our brilliant ideas simultaneously so that nothing is understood by anyone except for the original conspirator. I finally trade the floor for the flask, and decide to hear Tim out,

“I’ll go in first, you follow”, he explains. “Take a seat at the bar, and just watch.”

Good enough for me.

I can see him across the room, already seated, alone at a table for two by the window. He’s pulsing, shaking, tapping his feet, raging in general. His flannel shirt is rolled way up past his elbow. I can hear him reading the menu, using an absurd fake accent that sounds like a drunk Russian imitating Rodney Dangerfield.

“I’ll half de pas-ta.” He says, and points.

Half a drink later the food arrives, he is intense, sweating, really working it. The waitress gives him an odd look and asks him if he’s allright. He shrugs her off “dah please. am fine.” As soon as she turns though, his plate is upside down, and he’s sucking down the spaghettis one by one.

The waitress spins, “What in god’s name are you doing!”

“eating”, he says confidently casual.

“like that!”, she yells.

“Am sorry, In my country. We eat with our hands.”

“You don’t have any forks? plates? Chop-sticks?”

“oh we have, we have, yes. It’s just…” he pauses, smiling. “we hate to wash dishes.”

We barely escaped.

After that kind of joke you’ve got to keep one eye open for the fuzz. We do so, climbing. The city on the hill. One block at a time, the grid here is amazing. I’m drawing in our path on a map I got from the lobby downtown. In a little over an hour we’re out of the city. At the top of a ski slope. We followed the chairs up the run and onto the little mound of earth by the control room up top. Admiring the view, we relieve ourselves. The urine makes streams in the dust, splitting up and then joining their selves again.

“You jokered the hell out of those fools back at the hotel.”

“yeah man, they didn’t know what hit em’.”

“Are you sure you’re ready?”

“Huh? Oh for the kid? — hell yeah. I’m just trying to get the last of this joker shit out of me, now”

Shake. Zip. Alright. From the summit I know everything is going to be okay. The sky is breathtaking, a dark blue, purple like a fresh black eye. Specks of distant celestial salt crystals appear to be taking turns as the brightest. The wind carries the sweet smells of soil and pine softly and with respect.

All but out of the city limits by the time I realize that I’ve forgotten my polaroid’s at their house. I think about turning around, but I just passed an exit and am questioning the patched tire’s strength. I could get Tim to send the pictures, but I know I’ll forget. Damnation.

I accelerate, up hill and out of this shit-hole. I’m pissed; I want those pictures. The windshield is fogging up and still with the rain, but for some reason the rear window is clear. I see the city again through the mirror. Duluth’s not a real shit-hole, not like Gary. At least Duluth is nice from a distance.

“Good from afar but far from good”, Tim used to say, referring to girls on the street. That was before he was married. That was how I felt about Duluth through the rear-view.

I’d finally gotten the shot though, at the end of the climb, towering over it all. The postcard shot, without the city name or border. It was the summit. It was north, heaven, not quite Canada. The significance of being high like that. Status and worth and perspective. Like that promising family behind me. It was more than all the assholes in the world shitting out missiles, and hiding bombs in their underwear. I am generally amazed by the lack of grace in this modern world, but that view was different. This picture the cure. I knew if I sent it to the hospital, she’d be out in no time. Fuck. I look in the rear view again, and it’s the perfect shot. The one that got away. All that grace, and power. I captured it again, I won, It’s a success story, I’m comfortable, tired. Ready to: close my eyes, hold on to that image, inhale, and go to sleep at 83 mph on a patched tire.

De$perator’s Dilema

feelin’ desperate
reelin’ from all the past actions, threats, and passing aspirations
tryin’ to connect a reason with breathe and the rest of existence
bobbin’ for apples in a sea of emotion
“persistence” she whispers
and i see a light while drownin’
then presence overcame the conscious
and i woke up floating,

living life like a leaf on the current – searching for virtue
waiting for an angel to come hold me, take me home or show me
that there’s more to this body than the core
there’s more to a rose than the thorns
and though it feels like a conclusion,
that don’t mean it’s over

or

… maybe i’m just bored again…

Mounds Park

We buried our ancestors here,
atop these bluffs
overlooking the river.
The ones who took this land and
made it holy,
we buried them here.
The mounds mold mirror images of
what we will become,
what we will hold sacred.
God doesn’t talk to me here,
but the Mississippi does so
we buried our ancestors here