The Wake

Dalia - Treetops and Telephone Wires

From the first track on Treetops and Telephone Wires, Dalia’s acoustic sounds draw listeners in for a soft and powerful musical treat. Dalia is the indie solo project of Minneapolis artist Jeni Kozicky, who released Treetops and Telephone Wires in December. Each track features something unique. Although the majority of the songs are solo tracks, Dalia does not limit herself to being another solo-acoustic artist.

“Alley Distribution” features Sean Anon, adding a catchy rhythm and hip-hop flair to the otherwise acoustic song. Later in the album, “The Hum” features New MC, combining New MC’s hip-hop sounds and Dalia’s smooth singing and acoustic guitar. One might question the combination of acoustic …

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Black Mountain - In The Future

Do you ever dream of traveling back in time and experiencing a different era? Pressing play on Black Mountain’s ironically titled sophomore album, In The Future, is comparable to strapping into the front seat of the DeLorean and being whisked away into the mind-blowing 1960’s.

The opening track “Stormy High” features powerful guitar riffs imitating those of legendary Black Sabbath. Hard rock fans will be pleased to be offered an alternative from the trend of upbeat mainstream melodies and delivered to the classic sound of raw guitar and forceful drumming. The hard sound is replaced through the middle of the album as the percussion becomes lighter, matching the softer guitar …

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MC5 - Kick Out The Jams

With blood, adrenaline and testosterone spewing from its every orifice, MC5’s Kick Out the Jams is quite possibly the most appropriately titled album in the history of appropriate album titles. The band’s call to “Kick out the jams, Mother Fuckers,” jumps past the cliché “take no prisoners” to floor you with 40 minutes of unremitting rock.

Kick Out The Jams was recorded at Detroit’s Grande Ballroom in late 1968. The album was recorded before a live audience, so MC5’s sound could feed off the crowd’s energy and break the confines of studio. The result is a work comprised of the energies of both the crowd and the band. Combined with …

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Tegan and Sara - The Con

To tell you the truth I’m not sure which one is Tegan, or for that matter who Sara is. Yes, I have seen some captioned picture of them being all cute and stuff, but I still can’t identify their voices as unique entities. However, when the twins join together in their pseudo-harmonies, I become mystified as to why it sounds so good. On their fourth full-length album, The Con, the sisters’ Quin early output of Lilith Fair rock and 80s wannabe riffs is a distant memory. Their sound has been expanded and refined with some outstanding production and the best writing of their career.

Produced by Death Cab for Cutie’s Christopher Walla, …

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Coming from a middle-class suburb, walking around campus and seeing thick-rimmed glasses, scarves, vintage sweaters and leggings typically emblematic of pretentious indie rock kids makes me nostalgic for the Insane Clown Posse and Slipknot T-shirts clouding my high school memories.Throwing on Victory Records’ The Autumn Offering’s new CD is like taking a step back to simpler times – like 9th grade. Fear Will Cast No Shadow, the Florida metalcore band’s third studio album, wait for it…doesn’t suck.When working in one of the most culturally denigrated genres of music (behind pop country and ska), to create an album with some artistic merit is a pretty big accomplishment. In fact, being a metalcore band works to The Autumn Offering’s advantage. Instead of having to focus on lyrics (just throw in some blood and dying imagery), the quintet …

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To Kill A Petty Bourgeoisie - The Patron

I recently created a sandwich. I call it the Spumonty Cristo because it is derived from a sandwich recipe called the Monte Cristo, served at Grandma’s restaurant on Washington. Music by The Patron has the same air of nonsensical compatibility as my sandwich. The Spumonty Cristo calls for two pieces of lightly toasted bread, sliced deli ham, two pieces of marble jack cheese, and a healthy portion of raspberry preserves spread on one side (better served warm). Despite how incompatible these ingredients might sound, I eat at least one Spumonty Cristo on a daily basis. The Patron is the first full-length …

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Band of Horses - Cease to Begin

Band of Horses exploded onto innumerable rock radars last March with the release of their first album, Everything All The Time. It was an album too beautiful for words. Cease to Begin, released on October 9th, builds on the success of their drifting southern sound, and takes it in a couple of new directions.As good as their first album was, one song stood out amongst the rest. Entitled, “The Funeral,” it put them on the map and, with its eerie “ooohs,” soaring guitars, and crashing drums and vocals, left many fans goose bump stricken. Though there’s no clear cut single on Cease to Begin, the new album …

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What’s great about the local music scene is that there is a diversity of styles and bands prepared to satisfy whatever tastes you might have.Pictures of Then is a five-dude alternative-indie rock band from right here in Minneapolis. And their debut album, Crushed By Lights, has the potential to put the group on the map on a national level, mostly because of its middle-of-the-road sound.The 14 tracks don’t pave any new ground, which isn’t necessarily a bad or a good thing. Pictures of Then has the kind of familiar sound forged by bands like Smashing Pumpkins and Built to Spill in the early 90s.Musically, Crushed By Lights is fine. It has a balance of older alt-rock with a more modern indie feel. Instrumentally and vocally the band works well.The disappointing part of the album …

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Iron & Wine - The Shepherd’s Dog

The hushed whisper and acoustic creakiness of Iron and Wine’s early output could hardly have predicted the growth that has been seen on the bands’ subsequent releases. The Shepherd’s Dog marks the continued evolution of the indie-folkies, which was first seen on the outstanding Woman King EP, and later on the collaboration with Calexico, In the Reins. While on earlier albums guitarist/vocalist Sam Beam was synonymous with Iron and Wine, the backing band that surrounds his hushed vocals has taken on a greater role, turning the onetime solo project into a wholly collaborative effort. Once again produced and engineered by Brian Deck (Red Red Meat, Modest Mouse), …

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Though their name hints at an influence of psychedelics, White Rabbits haven’t got anything to do with Jefferson Airplane, or feeding your head. And although they’re residents of NYC, originally from Missouri, their sound isn’t geographically linked to either. Of their six members, two are full time drummers. Their use of various percussion instruments, tinkering, then pounded pianos have led to a self described, “honky-tonk calypso,” sound. Their constant use of shakers and maracas, and their admiration of prohibition era clothing, is reminiscent of last years “it” band, Cold War Kids. Album opener, “Kid On My Shoulders,” is a can’t miss. A hypnotic bass line waits under rapid guitars and menacing three part harmonies. It closes with a rousing chant and sweeping chorus of “Ooohhhs.” It’s heavy, fast, and a likely single. My sole …

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Radiohead - In Rainbows

You’ve heard all the rumors. Radiohead, a British rock group, recently released their seventh full length album on the Internet… for free. Now I know what you’re thinking, “Where can I, a law abiding college student, obtain a free copy of this trendy new intangible record?” My answer is “Sssssssssssshhhh, if you’re very quiet you can hear it seeping under your roommate’s door, knock before you enter because he’s probably doing his best Thom Yorke impression over the subtle finger plucking melody of ‘Weird Fishes/Arpeggi’ with his hand over his heart. He’s been at it all night and to catch him in the act would be more embarrassing than to catch him masturbating.” …

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The new Harlots album shines like a polished pearl atop a mountain of shit. In a genre glutted with mediocre Converge and Pig Destroyer impressions, breakdown-overloaded astructural deathcore, and boring Neur-Isis look-alikes, Harlots have managed to put out a record that is inspired, interesting, and unique.Though Betrayer does clearly draw from the schools of thought listed above, it is not subservient to them. When the album gets brutal (which happens early and often,) some riffs may be reminiscent of something you might hear coming from Scott Hull or Kurt Ballou’s guitar, but only if you separate them entirely from their context. Even though some riffs on this album may seem derivative when looked at note by note, the way they’re played, the way the guitar tone sounds, and the way that they fit with the …

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Sometimes, packaging doesn’t lie and the fact that Grayshot’s latest EP, Waiting Days, comes in a startlingly white case embossed with Ikea-approved designs is not insignificant. You see, this Minneapolis duo makes the aural equivalent of their cover: bland, inoffensive, evocative of something good, yet ultimately unsatisfying.The problem is that Grayshot don’t really have an identity. Waiting Days sounds like the kind of “sweeping,” “operatic” pop music that has found a mainstream foothold in the wake of bands like Coldplay, Snow Patrol, and Keane, (two of which are referenced in the band’s bio) slickly produced and ready to be dropped into the closing scene of Gray’s Anatomy. None of the instrumentation, production, or vocal choices showcase originality or spirit beyond popping in a copy of A Rush of Blood to the Head and furiously taking …

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Marlah is what happens when suburban kids lose their girlfriends and pick up guitars to fill the void in their broken and empty hearts. Marlah is a band living in a suburban Twin Cities vacuum, and These Curses is a very accurate depiction of suburban naiveté. Curses spans the same range thematically as singer Ben Holum’s vocals. By the 12th minute the album becomes un-listenable because by this time Holum has already exhausted his three-note repertoire. The same occurs thematically, where hearts, irreverence, and a vague call for revolution dominate. The least intriguing aspect of These Curses is Marlah’s insistence to be the paradigm of teenage angst. Curses is the result of a band deciding beforehand to pigeonhole themselves in the melodrama of emo. In fact, the trend …

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The Minneapolis music scene doesn’t garner international attention (or national for that matter) on too many occasions. Prince, the Rhymesayers crew and some notable artists flying under the radar are basically the extent of the Cities’ musical notoriety. Now, however, we have Motion City Soundtrack – the powerpop quintet repping our hometown to the fullest.On September 18, the group released Even If It Kills Me, their 13-track third studio album. I am glad to say that we should be proud to have them call Minneapolis home. EIIKM is upbeat, synth-heavy and self-deprecating; everything a good pop punk album should be. Frontman Justin Pierre’s voice is perfect for the style and his lyrics are more clever and unique than 90 percent of the pop music out there today.The album starts off …

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