The Wake - Fortnightly Magazine

Shutter Island

April 14, 2010

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“Which would be worse, to live as a monster or to die as a good man?” This encompassing theme spoken by Leonardo DiCaprio’s main character Teddy Daniels is just one of the mysteries audiences are left with in Martin Scorsese’s latest film aptly titled Shutter Island. The plot focuses on two detectives in 1954, Teddy and Chuck (Mark Ruffalo). They travel to an insane asylum on Shutter Island near Boston to investigate the disappearance of a patient who is considered extremely dangerous.

As the detectives dig they find that all may not be what it seems, and Teddy has secret personal motives he is slow to reveal. The film twists and turns as the investigation grows and things become strange. The search is intercut with visions of Teddy’s back-story from World War 2 and his family. It culminates with a shocking reveal from the main psychologist on the island, Dr. Cawley (Ben Kingsley).

The film begins as a crime drama but becomes very creepy quickly. The patients have all committed violent crimes and act like zombies, making every encounter chilling. As the film becomes more about Teddy’s inner demons and less about the original investigation, the truth is revealed.

The actors carry this movie and in some spots are absolutely brilliant, never tipping their hand as to what is really going on. The screenplay is well written but the pacing in the middle of the film becomes slower and arduous. The CGI is unfortunately cheap.

Overall Shutter Island is a good movie but not great as expected from Scorsese. It holds interest but drags on a little long and drives too deep into the human psyche. The twists become too much and the focus of the film becomes lost until the dramatic final minutes. If you want some thrills, this is worth seeing but don’t expect to be blown away.